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Works
About
Across her prolific practice, Amanda Ross-Ho (b. Chicago, IL) has developed an ambitious, cross-pollinating lexicon of symbols to reflect on the entanglements of labor, time, and shared cultural signifiers. Traversing sculpture, painting, installation, and photography, she creates speculative archives of material and social history that give rise to unexpected activations between individual memory and collective conditions.
The artist often deploys the formal and conceptual logics of the still life, placing quotidian objects and imagesâincluding newspaper cut-outs, studio artifacts, ephemera, sourced photographs, or familial archives household itemsâinto new proximities with one another. These arrangements suggest visual poetry, as disparate materials form a bricolage of possibilities and associations rather than a linear narrative arc. This dialectical approach is met by Ross-Hoâs more theatrical gestures: namely, dramatic shifts in scale. She enlarges mundane items to monumental size, evoking the exaggerated, sometimes uncanny humor of novelty products. Blown up into massive proportions, these objects take on new sociopolitical and affective dimensions, amplifying sentiment and connecting personal experience with broader cultural phenomena. A powerfully original thinker and singular artistic voice, Ross-Ho continuously draws from then subverts hierarchies between medium and discipline, offering viewers a generative and reflexive encounter with art.
Ross-Ho has presented solo exhibitions at ILY2, Portland, OR; Abroms-Engel Institute for Visual Art, Birmingham, AL; Mitchell-Innes & Nash, New York, NY; Bonner Kunstverein, Bonn, DE; The Vleeshal Center for Contemporary Art, Middelburg, NL; The Approach, London; and the Museum of Contemporary Art, Los Angeles among others. In 2025, The Vleeshal Center for Contemporary Art will publish a major career monograph of Ross-Hoâs work. She has participated in recent group shows at numerous galleries and institutions including Bel Ami, Los Angeles, Aargauer Kunsthaus, Aarau, CH; EXILE, Vienna, AT; Museum Kunstpalast, DĂŒsseldorf, DE; Institute of Contemporary Art, Los Angeles (ICALA), Henry Art Gallery, Seattle, and the Orange County Museum of Art, Costa Mesa, CA. Ross-Ho has also presented work at the Whitney Museum of American Art, New York, NY in the 2008 Biennial; Museum of Modern Art, New York, NY; Walker Art Center, Minneapolis, Kunsthall Stavanger, Stavanger, NO; and in the 33rd Ljubljana Biennial of Graphic Arts, in Ljubljana, Slovenia. Public art commissions include The Museum of Contemporary Art Chicago, The Public Art Fund, Art Basel Parcours, and Carnegie Mellon University, Pittsburgh, PA among others. Her work has been written about extensively in publications such as Artnews, Frieze, Los Angeles Times, Artforum, and Hyperallergic. She is Professor of Sculpture at the University of California, Irvine. Ross-Ho lives and works in Los Angeles, CA.
EDUCATION
2006 MFA, University of Southern California Roski School of Art, Los Angeles, CA
1998 BFA, School of the Art Institute of Chicago, Chicago, IL
1997 Exchange Program: California College of Arts and Crafts, Oakland, CA
SOLO & TWO-PERSON EXHIBITIONS
2024 Untitled Inventory (CATALOGUE IRRAISONNĂ), Abroms-Engel Institute for Visual Art, Birmingham, AL
2023 ICE TIME, ILY2, Portland, OR
2022 Amanda Ross-Ho and Jodi Stuart, curated by Alex Stark, Rare Visions, Boulder, CO
2019 HURTS WORST, Kunsthall Stavanger, Stavanger, Norway
2018 HURTS WORST, Mary Mary, Glasgow, Scotland
2017 THIS IS A DEVELOPING STORY, Lamar Dodd Gallery, University of Georgia, Athens, GA
2017 CONTENTS AND INDEX, Kentucky Museum of Arts and Crafts, Louisville, KY
2017 UNTITLED PERIOD PIECE, Tramway, Glasgow, Scotland
2017 MY PEN IS HUGE, Mitchell-Innes and Nash, New York, NY
2017 UNTITLED PERIOD PIECE, Bonner Kunstverein, Bonn, Germany
2016 STOP BATH, Michael Jon & Alan, Miami, FL
2016 UNTITLED PERIOD PIECE, Vleeshal Center for Contemporary Art, Middleburg, Netherlands
2016 ETERNAL FLAME, The Pit II, Glendale, CA
2015 HOW TO REMOVE DARK SPOTS, Praz-Delavallade, Paris, FR
2014 WHO BURIES WHO, The Approach, London, UK
2014 Untitled Smock (ACCIDENT), âThe Suburbanâ at The Museum of Contemporary Art Cleveland, part of Michelle Grabner, I Work from Home, Cleveland, OH
2013 THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Public Sculpture
2013 Commission, Museum of Contemporary Art Plaza, Chicago, IL
2013 CRADLE OF FILTH, Shane Campbell Gallery, Chicago, IL
2013 GONE TOMORROW, Mitchell-Innes and Nash, New York, NY
2012 AMANDA ROSS-HO: TEENY TINY WOMAN, Museum of Contemporary Art, Los Angeles, CA
2011 TIME WAITS FOR NO ONE, The Approach, London, UK
2011 UNTITLED NOTHING FACTORY, Visual Arts Center, University of Texas, Austin, TX
2010 A STACK OF BLACK PANTS, Cherry and Martin, Los Angeles, CA
2010 SOMEBODY STOP ME, Mitchell-Innes & Nash, New York, NY
2010 Project Series 40: Amanda Ross-Ho: The Cheshire Cat Principle, Pomona College Museum of Art, Claremont, CA
2009 UNTITLED EVENT, Hoet Bekaert, Gent, Belgium
2008 HALF OF WHAT I SAY IS MEANINGLESS, Cherry and Martin, Los Angeles, CA
2007 AMANDA ROSS-HO, Hoet Bekaert, Knokke, Belgium
2007 NOTHIN FUCKIN MATTERS, Cherry and Martin, Los Angeles, CA
2006 gran-abertura, Western Exhibitions, Chicago, IL
2006 Don't Front (You Know I Got Cha Open), Cherry and Martin, Los Angeles, CA
2006 INFINITYâS LIMITED ENGAGEMENT, MFA Thesis Exhibition, University of Southern California, Los Angeles, CA
2004 Season Finale, Western Exhibitions, Chicago, IL
2003 The Earth is Rotating with this Room as its Axis, Soap Factory, Minneapolis, MN
2003 Scene of Changery, Dogmatic, Chicago, IL
SELECTED GROUP EXHIBITIONS
2025 Made in L.A., curated by Essence Harden and Paulina Pobocha, The Hammer, Los Angeles, CA (forthcoming)
2025 Wolford House, Los Angeles, CA
2025 đđ°đ”đ©đ°đđŠÂł, M. LeBlanc and Goodweather, Rainbo Club, Chicago, IL
2025 Body Language: Recent Acquisitions in the Henry Collection, Henry Art Gallery, Seattle, WA
2025 SOFT PINK HARD LINE, ILY2, Portland, OR
2024 Tell Me What You Want, Bel Ami, Los Angeles, CA
2024 Ultimus Spectaculi, Praz-Delavallade, Paris, France
2024 Material Resonance, Abroms-Engel Institute for the Visual Arts, Birmingham, AL
2024 Scratching At The Moon, (curated by Anna Sew Hoy and Anne Ellegood) Institute of Contemporary Art, Los Angeles (ICALA) (catalog)
2024 Size Matters: Scale in Photography, curated by Lina Conze, Kunstpalast, DĂŒsseldorf, DE
2023 Halfway to Sanity, The Pit, February 2024, Los Angeles, CA
2023 GIMME SHELTER, Historic Hampton House Museum of Culture & Art, Miami, FL
2023 Artist Curated Projects 15th Anniversary Show, MorĂĄn MorĂĄn, Los Angeles, CA
2023 This is not a pipe, this is a final show, Selenas Mountain, Ridgewood, NY June 2023
2023 Cloud 9, curated by Anthony Lepore, Madonna Inn, San Luis Obispo, CA
2023 Cloud 9, curated by Anthony Lepore, Leftfield Gallery, San Luis Obispo, CA
2023 13 Women: Variation II, Orange County Museum of Art, Costa Mesa, CA
2023 Something or Other, curated by Isabel Yellin, Galerie Maria Bernheim, Zurich, Switzerland
2022 Donât Give Me Flowers, curated by Nancy Meyer, Praz Delavallade, Los Angeles, CA
2022 The Hearing Trumpet, curated by Danielle Shang, Marguo Gallery, Paris, FR
2022 Hank Williams hasnât answered yet., Angela Mewes, Berlin, DE
2022 Our Selves: Photographs by Women Artists from Helen Kornblum, Museum of Modern Art, New York, NY (catalog)
2022 Double Dare Ya: Burns, Kurland, and Ross-Ho, ViewPoints Series, Henry Art Gallery, Seattle, WA
2022 The Scene Changes: Sculpture from the Collection, Sheldon Museum of Art, Lincoln, NE
2021 Mitchell-Innes and Nash in San Francisco, 181 Fremont Street, San Francisco, CA
2021 Was/Is/Ought, Carrie Secrist Gallery, Chicago, IL
2021 No Thing is Waiting, Zabludowicz Collection, London, UK
2021 100 Sculptures, Anonymous Gallery, New York, NY
2021 Eureka! Creativity in California: Artists of the Golden State, Governor's Mansion, Sacramento, CA
2021 PSYCHOSOMATIC, Various Small Fires, curated by Isabel Yellin, Los Angeles, CA
2021 FREEPORT, EPOCH Gallery, (virtual 3D exhibition curated by Peter Wu)
2021 Your Presence is Encouraged, Nevineâs Backyard, Los Angeles, CA (curated by Isabel Yellin)
2021 Coloured Fire, (virtual exhibition and benefit curated by Pari Ehsan) Arts of Life.org, Chicago, IL
2021 Usual Objects, Carrie Secrist Gallery, Chicago, IL
2021 HANDBALL COURT, (virtual online exhibition), curated by Evan Trine
2021 PATHOLOGICALLY SOCIAL, O-Town House, (organized by Scott Cameron Weaver and Mark Verabioff)
2020 I AM NOT THIS HAIR, I AM NOT THIS SKIN, I AM THE SOUL THAT LIVES WITHIN, curated by Amir Fallah, Shulamit Nazarian, Los Angeles, CA
2020 CRACK UP-CRACK DOWN, curated by Slavs and Tatars, Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland (catalog)
2020 11 Figures, curated by John Connelly, The Atkinson Gallery, Santa Barbara City College, Santa Barbara, CA
2020 In the Bathroom, Praz-Delavallade at Felix, Hollywood, CA
2020 1-31, online exhibition curated by Adam Carr, Collecteurs.com18
2020 LA Artists, Outono Projects Los Angeles, Los Angeles, CA
2020 100 Sculptures, No Gallery, Los Angeles, CA
2019 Self-Preservation: With or Without Applause, Primary, Miami, FL
2019 Cloud Chamber, Bernard A. Zuckerman Museum of Art, Kennesaw State University, Kennesaw, GA
2019 100 Sculptures, curated by Todd Von Ammon and Joseph Ian Henrikson, Antiguo Arsenal de la Marina Española, San Juan, Puerto Rico
2019 EYES, NOSE, LIPS, ETC...2., curated by Ryan Travis Christian, Ramp Gallery, London, UK
2019 In Production: Art and The Studio System, curated by Rita Gonzalez, Yuz Museum, Shanghai, China
2019 Le Magasin, Praz-Delavallade, Los Angeles, CA
2019 Dune, University of California, Irvine, Irvine, CA
2019 MASK. In Present-Day Art, Aargauer Kunsthaus, Aarau, Switzerland (catalog)
2019 CRACK UP-CRACK DOWN: The 33rd Ljubljana Biennial of Graphic Arts, curated by Slavs and Tatars, MGLC International Centre of Graphic Arts, Ljubljana, Slovenia
2019 COLOR FIELD, Crystal Bridges Museum of American Art, Bentonville, AR
2019 100 Sculptures, curated by Todd Von Ammon and Joseph Ian Henrikson, Anonymous Gallery pop-up, Paris, FR
2019 HALFWAYHOUSE, EXILE, Vienna, Austria
2019 Subversive Stitch, TJ Boulting, London, UK
2018 Terres de Femmes, Praz-Delavallade, Paris, FR
2018 Light in the Age of Darkness, Depart Foundation, Los Angeles, CA
2018 West By Midwest, Museum of Contemporary Art Chicago, Chicago, IL
2018 I Dream My Painting, Then I Paint My Dream, Unit 5, Los Angeles, CA
2018 Out of Line, September Gallery, Hudson, NY
2018 100 Sculptures, curated by Todd Von Ammon and Joseph Ian Henrikson, Anonymous Gallery, Mexico City, DF
2018 In the Eye of the Beholder, EIU TARBLE ARTS CENTER, Charleston, IL
2018 De Fils Ou De Fibres, Abbaye Saint AndrĂ© Centre dâart contemporain, Meymac, FR
2018 Wavelength: Re-set, Powerlong Museum, Shanghai, China
2018 This Brush for Hire: Norm Laich & Many Other Artists, Institute of Contemporary Art, Los Angeles, CA
2018 Intro by Alan Gutierrez, CCE Miami (Centro Cultural Español De Cooperacion Iberoamericana), Miami, FL
2018 TICK TOCK: Time in Contemporary Art, Lehman College Art Gallery, Bronx, NY
2018 This is a Pipe: Realism and the Found Object in Contemporary Art, Shane Campbell Gallery, Chicago, IL
2018 SOFT FOCUS, curated by Ellie Rines, Reyes Projects, Birmingham, MI
2018 Ex-Corpse, AWHRHWAR, Other Peopleâs Art Fair (OPAF), San Pedro, CA
2018 Transitory Emplacements, collaboration with Diedrick Brackens, curated by Sally Frater, McColl Center for Art + Innovation, Charlotte, NC
2017 The Embedded Message: Quilting in Contemporary Art, Visual Arts Center, Richmond, VA
2017 The Time. The Place. Contemporary Art from the Collection, Henry Art Gallery, Seattle, WA
2017 PIVOTAL: HIGHLIGHTS FROM THE COLLECTION, Orange County Museum of Art, Newport Beach, CA
2017 On Coldspring Lane, Assembly Point, London, UK (curated by Hannah Lees)
2017 Brightsiders, curated by Adam Miller, Verge Center for the Arts, Sacramento, CA (catalog)
2017 99 Cents or Less, curated by Jens Hoffman, Museum of Contemporary Art Detroit, Detroit, MI (catalog)
2017 A beige-looking blob that resembles nightmares, curated by Philip VonZweck, Selena, Brooklyn, NY
2017 TOP FIVE BUDDY COP FILMS, curated by Santi Vernetti, Steve Turner Contemporary, Los Angeles, CA
2017 I LOVE LA, Praz-Delavallade, Los Angeles, CA
2017 âCurve of a hill like the curve of a green shoulder', Mary Mary, Glasgow, Scotland
2017 CONDO, Emalin, London, UK
2017 Third Space/shifting conversations about contemporary art, curated by Wassan Al-Khudhairi, Birmingham Museum of Art, Birmingham, AL (catalog)
2016 A Slow Succession with Many Interruptions, SFMOMA, San Francisco, CA
2016 L.A. Exuberance: New Gifts By Artists, LACMA, Los Angeles, CA
2016 Hydroponic Forms, curated by Joshua Callaghan and Bas Louter, Galerie Ampersand, Köln, DE
2016 Cause the Grass Don't Grow And The Sky Ain't Blue, Praz-Delavallade, Paris, FR
2016 PDF-OBJECTS, curated by Jason Lazarus and Sean Ward, Mana Contemporary, Chicago, IL
2016 not really really, Frédéric de Goldschmidt Collection, Brussels, Belgium
2016 Good Dreams Bad Dreams: American Mythologies, curated by Massilmiano Gioni, Aishti Foundation, Beirut (catalog)
2016 Cathedrals of Consumption, Spinello Projects, Miami, FL
2016 Display System 4, curated by Alice Konitz, Eastern Star Gallery, Los Angeles, CA
2016 HET KAT SALON, Museum of Contemporary Art Antwerp, Antwerp, Belgium
2016 HALFTIME IN AMERICA, Arturo Bandini, Los Angeles, CA
2016 Wasteland, LAND (LA Nomadic Division), Thaddaeus Ropac and Mona Bismarck Center, Paris, FR (catalog)
2016 Ordinary Pictures, Walker Art Center, Minneapolis, MN (catalog)
2016 Walk Artisanal, 3716 Eagle Rock Blvd, curated by Peter Harkawik and Miles Huston, Los Angeles, CA
2015 NO MANS LAND, The Rubell Family Collection, Miami, FL (catalog)
2015 Bloody Red Sun of Fantastic LA, PIASA, Paris, FR (catalog)
2015 The John Riepenhoff Experience, Misako and Rosen, Tokyo, Japan
2015 âArt in restaurants is on the same level as food in museumsâ â Niles Crane, curated by Lauren Godfrey, Turf Projects, London, UK
2015 Free Admission, Praz-Delavallade, Paris, FR
2015 A Painting is A Painting isnât a Painting, curated by Hamza Walker, Kadist Foundation, San Francisco, CA
2015 Feed the Meter, curated by Wallace Whitney, Bernard Ceysson, Luxembourg, FR
2015 Monday Me, curated by Kristen Van Deventer, Soccer Club Club (Drag City Records), Chicago, IL
2015 New Wave, Goss Michael Foundation, Dallas, TX
2015 Civilization and Its Discontents, curated by Tyson and Scott Reeder, School of the Art Institute of Chicago, Sullivan Galleries, Chicago, IL
2015 Under Construction, Paramo, Guadajara, Mexico
2015 Thief Among Thieves, Museum of Contemporary Art Denver, Denver Colorado
2015 Womanhouse, Eric Firestone Gallery, East Hampton, NY
2015 Poses & Play, La Brasserie, Foncquevillers, FR
2015 wow! Woven? Entering the (sub)Textiles, KĂŒnstlerhaus Halle fĂŒr Kunst & Medien, Graz, AT
2015 Small Sculpture, Shane Campbell Gallery, Chicago, IL
2015 SOGTFO, Francois Ghebaly, Curated by Charlie White, Los Angeles, CA
2015 3 Days of the Condor, curated by Olivian Cha and Eli Diner, 3 Days Awake, Los Angeles, CA
2015 Basement Folds, Claremont Graduate University Gallery, Claremont, CA
2014 Quelle beauté, quel calme. J'ai vu les nuages et, au loin, leur ombre légÚre, curated by Wilfried Huet, CNEAI, Chatou, FR
2014 SMALL Rome, Frutta, Curated by Adam Carr, Rome, Italy
2014 CEMETARIUM, Regina Rex at Emerson Dorsch, Miami, FL
2014 Of My Affection, Anonymous Gallery, Mexico City, Mexico
2014 Pet Shapes, China Art Objects, Los Angeles, CA
2014 Saying Yes to Everything, curated by Corinna Peipon, Honor Fraser, Los Angeles, CA
2014 Another Cats Show, 356 Mission, Los Angeles, CA
2014 The White Album, Richard Telles, Los Angeles, CA
2014 Summer & SUMMER, Michael Jon Gallery, Miami, FL and Detroit, MI
2014 Picture This - SALTS, Kunst Halle Sankt Gallen, Birsfelden, Switzerland
2014 BIEN OU BIEN?, mon Cheri, Brussels, Belgium
2014 Fragmented Realities, Delaware County Community College, Media, PA
2014 Tragedy + Time, Public Fiction, Hammer Museum, curated by Lauren Mackler and Sarah Lehrer-Graiwer as part of Made in LA 2014, Los Angeles, CA
2014 Infinitude, Roberts and Tilton, Los Angeles, CA
2014 Unfinished Season, curated by Marc LeBlanc, Galerie Christian Nagel, Cologne, Germany
2014 Inaugural Show, Loudhailer Gallery, Los Angeles, CA
2014 Amy+John+Amanda, (Amy Yao, John Riepenhoff, Amanda Ross-Ho), Artist Curated Projects, Los Angeles, CA
2014 I Just Came to Say Hello, curated by Alexej Meschtschanow, Klemmâs, Berlin, Germany Shakti, Brand New Gallery, Milan, Italy
2013 You Are Here, Worcester Art Museum, Worcester, MA
2013 Febreze, Kinman, London, UK
2013 ANAMERICANA, American Academy in Rome, curated by Vincenzo de Bellis, Rome, Italy
2013 In the Cut: Collage as Idea, Australian Centre for Contemporary Art, Melbourne, Australia
2013 Camp Paradox Days, The University of the Arts Rosenwald-Wolf Gallery, Philadelphia, PA
2013 Culm, Night Gallery, Los Angeles, CA
2013 TEN YEARS, Wallspace, New York, NY
2013 Yes I Will Yes, American Contemporary, New York, NY
2013 Stand-In, Albert Baronian, Brussels, Belgium
2013 Painting in Place, Los Angeles Nomadic Division, Los Angeles, CA
2013 Image Transfer, Salina Art Center, Salina, KS
2013 Set Pieces, curated by Lauren Mackler and Andrew Berardini, Cardi Black Box, Milan, Italy
2012 Sincerely How am I Talking?, Hollybush Gardens, curated by FormContent, London, UK
2012 Make Hay, David Petersen Gallery, Minneapolis, MN
2012 Props for Memory, Invisible-Exports, New York, NY
2012 Stretching the Limits: Fibers in Contemporary Painting, SCAD Museum of Art, Savannah, GA
2012 Art on Paper 2012: The 42nd Exhibition, Weatherspoon Art Museum, The University of North Carolina at Greensboro, Greensboro, NC
2012 Pure Perception, (Amanda Ross-Ho, Laura Owens, Kristen Baker, Mai-Thu Perret), Monica De Cardenas Gallery, Milan, Italy
2012 Comrades of Time, Project Space, Tilburg, Netherlands
2012 prince at the forum, Beacon Arts Building, Inglewood, CA
2012 Look Here, Upon this Picture, Cherry and Martin, Los Angeles, CA
2012 Parings: The Collection at 50, Orange County Museum of Art, Newport Beach, CA
2012 Devouring Time, Western Bridge, Seattle, WA
2012 Special Blend, The Journal, Brooklyn, NY
2012 Image Transfer, Newcomb Art Gallery at Tulane University, New Orleans, LA
2011 IT AIN'T FAIR: Materialism, OHWOW, Miami, FL
2011 disorder, Todd Madigan Gallery, California State University Bakersfield, Bakersfield, CA
2011 Two Schools of Cool, Orange County Museum of Art, Newport Beach, CA (catalog)
2011 George Herms: Xenophilia (Love of the Unknown), Museum of Contemporary Art, Los Angeles, CA
2011 Painting Expanded, Tanya Bonakdar, New York, NY
2011 Greater LA, 483 Broadway, New York, NY
2011 NOT THE WAY YOU REMEMBERED, Queens Museum of Art, Queens, NY
2011 Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
2011 Image Transfer, Center for Art, Design and Visual Culture, University of Maryland, Baltimore, MD (October - December 2011); Richard E. Peeler Art Center, Depauw University, Greencastle, IN (February - May, 2011)
2011 Banquet of the Black Jackal, Luckman Gallery, Cal State, Los Angeles, CA (catalog)
2010 How Soon Now, Rubell Family Collection, Miami, FL (catalog)
2010 Drawing, Shane Campbell Gallery, Chicago IL
2010 Free, New Museum, New York, NY
2010 New Photography 2010, Museum of Modern Art, New York, NY
2010 Image Transfer, Henry Art Gallery, Seattle, WA (catalog)
2010 Jerry/Jury-Rigged, curated by Jan Tumlir, Glendale Community College Art Gallery, Glendale, CA
2010 Artist's Museum, Museum of Contemporary Art, Los Angeles, CA
2010 Portugal Arte, Lisbon, Portugal
2010 Doctor Zomb, Glendale Community College Art Gallery, Glendale, CA
2010 Endless Bummer / Surf Elsewhere, Blum and Poe, Los Angeles, CA
2010 Wall-to-Wall, Daniel Weinberg Gallery, Los Angeles, CA
2010 They Have Not the Art to Argue with Pictures, Cherry and Martin, Los Angeles, CA
2010 Production Site: The Artist's Studio Inside and Out, Museum of Contemporary Art, Chicago, Chicago, IL
2010 The Never Ending Story: Fairytale, Fantasy, Obsession, curated by Laura Hoptman, Royal/T, Los Angeles, CA
2010 Crosstown Traffic, Wentrup Gallery, Berlin, Germany
2010 New Art for a New Century: Recent Acquisitions 2000-2009, Orange County Museum of Art, Newport Beach, CA
2010 FAX, Burnaby Art Gallery, Burnaby, Canada; Para/Site Art Space, Hong Kong
2009 Picturing The Studio, School of the Art Institute of Chicago, Chicago, IL
2009 In Bed Together, Royal/T, Los Angeles, CA
2009 Chinese Box, Overduin and Kite, Los Angeles, CA
2009 Wallworks, Yerba Buena Center for the Arts, San Francisco, CA
2009 Interiority Complex, Artist Curated Projects, Los Angeles, CA
2009 Bitch Is The New Black, Honor Fraser, Los Angeles, CA
2009 Summer Group Show, Mitchell-Innes and Nash, New York, NY
2009 July Artist of the Month, Invisible Exports, New York, NY
2009 To The Left of The Rising Sun, Small A Projects, New York, NY
2009 Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK
2009 Selected Works from the MCA Collection, MCA Chicago, Chicago, IL
2009 Spoils & Relics: Henning Bohl, Michael Hakimi, Amanda Ross-Ho, The Approach, London, UK
2009 FIRST SHOW, Cherry and Martin, Los Angeles, CA
2009 FAX, The Drawing Center, New York, NY; traveled to Contemporary Museum, Baltimore, MD and Torrance Art Museum, Torrance, CA.
2009 Make Room, Atlanta Contemporary Art Center, Atlanta, GA
2009 On From Here: Final Exhibition at Guild and Greyshkul, Guild and Greyshkul, New York
2009 LA Woman, Hanes Art Gallery, Wake Forest University, Winston Salem, NC
2008 The Station, curated by Shamim Momin and Nate Lowman, Miami, FL
2008 Indirect Object: Matt Mullican, Cady Noland, Amanda Ross-Ho, Frances Stark, Mitchell-Innes & Nash, New York, NY
2008 Dogtooth and Tessellate, The Approach, London, UK
2008 California Biennial, Orange County Museum of Art, Newport Beach, CA (catalog)
2008 Index: Conceptualism In California From The Permanent Collection, Museum of Contemporary Art, Los Angeles, CA
2008 a tellurian complex, john connelly presents, New York, NY
2008 Whitney Biennial, Whitney Museum of American Art, New York, NY (catalog)
2008 Chinaman's Chance, curated by Chip Tom, Pacific Asia Museum, Pasadena, CA
2008 Depositions, Galerie Francesca Pia, Zurich, Switzerland.
2008 Nina in Position, Artists Space, New York, NY
2008 Vaginal Rejuvenation, Guild and Greyshkul, New York, NY
2007 for REE, Marc Foxx Gallery, Los Angeles, CA
2007 OPEN, Hoet Bekaert Gallery, Ghent, Belgium
2007 Sculptors' Drawings, Angles Gallery, Santa Monica, CA
2007 Post-Rose: Artists In And Out of The Hazard Park Complex, Christian Nagel, Berlin, Germany
2007 Sonotube Forms, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA
2007 Warhol and..., Kantor/Feuer Gallery, Los Angeles, CA
2007 Me, you, you, a ventriloquy, Small A Projects, Portland, OR
2007 Distinctive Messengers, House of Campari, Los Angeles, CA
2007 Obscene Soft Sounds, Wallspace, New York, NY
2007 Photographs, AR Fine Art, Milan, Italy
2006 Dice Thrown (Will Never Annul Chance), curated by JoĂŁo Ribas and Becky Smith, Bellwether, New York, NY
2006 666, curated by Jan Tumlir, USC Roski School of the Arts, Los Angeles, CA
PERFORMANCES
Fac Xtra Retreat (FXR Collective) Performance, Psychic Body Recalibration, LAND (Los Angeles Nomadic Division), Los Angeles State Historic Park, Los Angeles, CA. May 11, 2025.
Fac Xtra Retreat (FXR Collective) Performance, FORCE GHOSTS, ICA LA (as part of extended programming for Scratching at the Moon, Los Angeles, CA. June, 2024
Solo Performance, âICE TIMEâ Lloyd Center Mall Ice Rink, presented by ILY2, Portland, OR. August 25, 2023
Performance, âTurn Rabbitâ presented as part of Soup and Tart (organized by Sarah Cooper and Active Cultures) Museum of Contemporary Art, Los Angeles, CA. June 8, 2023
Commissioned Group Performance, FAC XTRA RETREAT (FXR) (organized by Ei
Arakawa), Redcat, Los Angeles, CA. February 17, 2023
GET BACK/GET OUT, AAPI Network Collective performance (conceived and led by Ei
Arakawa), Reena Spaulings Los Angeles, CA. April 9, 2022
PUBLIC ART COMMISSIONS
2024 Untitled Core Sample (THE FENCE), Permanent sculpture commission, curated by Elizabeth Chodos, Forbes Beeler Residence Hall, Carnegie Mellon University, Pittsburgh, PA. May, 2024
2022 LA3C (Los Angeles Capital of Creativity and Culture, LA State Historic Park, Los Angeles, CA. Large scale sculpture installation of The Character and Shape of Illuminated Things (FACIAL RECOGNITION). December, 2022
2022 Commissioned permanent work for CHATEAU ROYAL Showcase Project, curated by Angela Mewes, Berlin, Germany
2022 Commissioned proposal, Shortlisted Candidate, Public Art Commission, LA Metro Art. Los Angeles, CA
2018 Untitled Timepiece (Beverly Center), Public Installation, curated by Jenelle Porter, Beverly Center, Los Angeles, CA
2017 Parcours, Art Basel, (curated by Samuel Leuenberger) Multi-site Sculpture Commission, Basel, Switzerland
2016 Commissioned proposal, Shortlisted Candidate, Public Art Commission, High Line Plinth, New York, NY
2015 Image Objects, Public Art Fund, curated by Andria Hickey, Large-scale Sculpture Commission, City Hall Park, NYC. July, 2015
2019 COLOR FIELD, Crystal Bridges Museum of American Art, curated by Allison Glenn, Bentonville, Arkansas. June, 2019
2013 THE CHARACTER AND SHAPE OF ILLUMINATED THINGS, Public Sculpture Commission, Museum of Contemporary Art Plaza, Chicago, IL. July, 2013
FAIRS
2025 EXPO Chicago, ILY2, Chicago, IL
2025 Felix Art Fair, ILY2, Los Angeles, CA
2017 Amanda Ross-Ho and Emily Mae Smith, INDEPENDENT BRUSSELS, Mary Mary, Glasgow
2017 Solo Presentation, INDEPENDENT BRUSSELS, Praz-Delavallade
Exhibitions
& Events
Press
At Felix Art Fair 2025, the Los Angeles Art Community Unites After the Fires
Artsy
Winter 2025
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Artsy
Winter 2025
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Peer inside this tiny art fair, where major artists present at miniature scale
CNN Style
Spring 2024
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CNN Style
Spring 2024
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Expo Chicago 2024âIn Praise of the Small: A Review of Barely Fair at Color Club
NewCity Art
Spring 2024
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NewCity Art
Spring 2024
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