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Works

rossho_arh015-web
rossho_arh023-web

About

Ross-Ho’s work takes the form of sculptural installations and material environments that propose dynamic and imagined ecologies of labor, time and the building of speculative archives. Through close observation, she identifies and brings into form connective tissues between personal and eternal conditions. She builds formal syntax comprised of objects, images, and performative gestures mined from personal and collective phenomena, which aim to inscribe meaning through poetic systems of circuitry and taxonomy. Utilizing conflicting sensibilities of the forensic, hyperbolic, and theatrical, her work aims to function as a sensitive instrument: tuned to carefully observe, record, transcribe and translate the landscapes of our made and lived in surroundings.

EDUCATION

2006 MFA, University of Southern California, Los Angeles, CA
1998 BFA, School of the Art Institute of Chicago, Chicago, IL

SELECTED SOLO EXHIBITIONS

2023 ICE TIME, ILY2, Portland, OR
2019 HURTS WORST, Kunsthall Stavanger, Stavanger, Norway
2018 HURTS WORST, Mary Mary, Glasgow, Scotland
2018 THIS IS A DEVELOPING STORY, Dodd Galleries, University of Georgia, GA
2017 UNTITLED PERIOD PIECE, Tramway, Glasgow
2017 MY PEN IS HUGE, Mitchell-Innes & Nash, New York, NY
2016 UNTITLED PERIOD PIECE, Vleeshal, Middleburg, The Netherlands; travels to Kunstverein Bonner, Germany
2016 STOP BATH, Michael Jon Gallery, Miami, FL
2015 HOW TO REMOVE DARK SPOTS, Praz-Delavallade, Paris, France

Exhibitions
& Events

Press

‘Double Dare Ya’ talks gender, identity, and power
The Daily
April 21, 2022
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Amanda Ross-Ho at Mary Mary
Art Viewer
December 11, 2018
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Publications

Objects
2014
Published by Wood Kusaka Studios, with an essay by Erik Frydenborg. Paperback, 56 pages, 19 color illustrations
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